{"id":1924,"date":"2013-10-28T07:06:02","date_gmt":"2013-10-28T01:06:02","guid":{"rendered":"http:\/\/williamjcobb.com\/blog\/?p=1924"},"modified":"2013-10-28T07:06:02","modified_gmt":"2013-10-28T01:06:02","slug":"cormac-mccarthyridley-scotts-the-counselor-no-country-for-old-men-ii-or-no-country-for-anyone-in-love-with-penelope-cruz-either","status":"publish","type":"post","link":"https:\/\/williamjcobb.com\/blog\/index.php\/2013\/10\/28\/cormac-mccarthyridley-scotts-the-counselor-no-country-for-old-men-ii-or-no-country-for-anyone-in-love-with-penelope-cruz-either\/","title":{"rendered":"Cormac McCarthy\/Ridley Scott&#039;s &quot;The Counselor&quot;: No Country for Old Men II, or No Country For Anyone in Love With Penelope Cruz, Either"},"content":{"rendered":"<p>So on its first weekend in my neck of the woods, I caught Ridley Scott&#8217;s new film <em>The Counselor<\/em>, with the screenplay being by none other than the great Cormac McCarthy, finest novelist of our times: It was a, um, horrible experience. Not for the faint of heart, as they say. The ending is a gut-wrenching kicker. A shocker, although you do see it coming. Not horrible as in bad or badly done, but horrible as in sheer horror. As I don&#8217;t like to give too much away when a film debuts like this, and be forced to inject the ol&#8217; Spoiler Alert, I&#8217;ll try to keep my comments on the analytical-but-not-revealing level:<br \/>\nCameron Diaz, who is not exactly one of my favorite actresses, actually does a knockout performance as the wicked vamp, Malkina. Watch out for her. McCarthy often has a character who embodies some kind of evil, and in this case it&#8217;s a woman, Diaz, which is a twist for him. It also probably has the most sex and sex-related talk than all of his novels (I know, this is a film, and maybe that&#8217;s why), though there&#8217;s some great sex-related moments in <em>Suttree<\/em> (1979). (I once titled a story &#8220;The Witch of Fuck,&#8221; from a line in <em>Suttree<\/em>, and the journal that published it leaned on me heavily to change the title, which I did, and which now appears in my new book of stories\u00a0<em>The Lousy Adult<\/em> as &#8220;The Next Worst Thing,&#8221; published just this month.)<br \/>\nJavier Bardem is one of the kookier, more enjoyable characters, and he should have given more time on screen.\u00a0Brad Pitt, another actor I&#8217;m not thrilled with, does a great job as a hipster\/cowboy drugworld entrepreneur, but you won&#8217;t like his final moments. Basically everything good in this world goes bad. Before I saw it I thought it sounded like <em>No Country for Old Men II,<\/em> and now that I&#8217;ve seen it, I think that&#8217;s fairly accurate. Michael Fassbender is good, but his character is somewhat limited. Greed does him in, but it&#8217;s also complicated by love: In his zeal to shower his love, Penelope Cruz, with a &#8220;cautionary diamond&#8221; (there&#8217;s a good scene at a diamond merchant&#8217;s office in Amsterdam), he gets in over his head, and gets involved with the wrong people. To say the least.<br \/>\nBut <em>The Counselor<\/em> does raise an aesthetic question: Can a story be too horrible? I think the answer is Yes. My wife says I owe her one for taking her to a movie depicting such despicable behavior, and for its violence to women. I like Ridley Scott&#8217;s films, and I imagine this one will become notorious. For instance, at one point the story swerves to a discussion of &#8220;snuff films,&#8221; which is perhaps a definition of something too horrible to watch, and unfortunately, even though <em>The Counselor<\/em> is fiction, it&#8217;s tainted by that proximity to something as disgusting and sadistic as a &#8220;snuff film.&#8221;<br \/>\nMy favorite part concerns another element of proximity: that of the nearness and elbow-rubbing of great wealth with great depravity. The diamond dealer is right is his soliloquy on &#8220;cautionary diamonds&#8221;: There are certain objects of desire, like a 3.5 carat diamond, that create entanglements you can&#8217;t comprehend, what people will do for money, or what great evil great amounts of money can encourage. Set in El Paso, Texas, with some tangential scenes in Juarez, Mexico, and London, <em>The Counselor<\/em> is a 21st century morality tale.\u00a0A series of stylish interiors bought with dirty money (or so it&#8217;s implied by the film&#8217;s end) contrasts with the dry, bleak landscape, and combined, the images create a kind of frightening poetic backdrop. If you can stomach it, this is a film you have to see.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1925\" title=\"The_Counselor_Poster\" src=\"http:\/\/williamjcobb.com\/blog\/wp-content\/uploads\/2013\/10\/The_Counselor_Poster.jpg\" alt=\"\" width=\"270\" height=\"400\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>So on its first weekend in my neck of the woods, I caught Ridley Scott&#8217;s new film The Counselor, with the screenplay being by none other than the great Cormac McCarthy, finest novelist of our times: It was a, um, &hellip; <a href=\"https:\/\/williamjcobb.com\/blog\/index.php\/2013\/10\/28\/cormac-mccarthyridley-scotts-the-counselor-no-country-for-old-men-ii-or-no-country-for-anyone-in-love-with-penelope-cruz-either\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[7,8,10,20,29],"tags":[55,66,85,86,95,178],"class_list":["post-1924","post","type-post","status-publish","format-standard","hentry","category-books","category-booksfilm","category-cormac-mccarthy","category-horror-films","category-the-west","tag-book-reviewing","tag-cormac-mccarthy","tag-fiction-writing","tag-film","tag-good-fiction","tag-the-west"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/posts\/1924","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/comments?post=1924"}],"version-history":[{"count":0,"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/posts\/1924\/revisions"}],"wp:attachment":[{"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/media?parent=1924"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/categories?post=1924"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/tags?post=1924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}