{"id":3055,"date":"2026-04-25T22:00:47","date_gmt":"2026-04-25T22:00:47","guid":{"rendered":"https:\/\/williamjcobb.com\/blog\/?p=3055"},"modified":"2026-05-14T17:48:10","modified_gmt":"2026-05-14T17:48:10","slug":"beef-imagines-a-world-of-scheming-conniving-duplicitous-grifters","status":"publish","type":"post","link":"https:\/\/williamjcobb.com\/blog\/index.php\/2026\/04\/25\/beef-imagines-a-world-of-scheming-conniving-duplicitous-grifters\/","title":{"rendered":"Review of \u201cBeef\u201d: Season 2 Imagines a World of Scheming, Conniving, Duplicitous Grifters"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">So Season 2 of the Netflix series\u00a0<em>Beef<\/em>\u00a0has dropped and is quite good. Think of it as <em>The White Lotus\u00a0<\/em>meets Bong Joon Ho\u2019s\u00a0<em>Parasite<\/em>\u00a0(2019). It\u2019s about a quartet of grifters using whatever nefarious arrows in their quiver to get ahead, the main one being an iphone snippet of a middle-aged couple\u2019s old-fashioned \u201cdomestic dispute\u201d (in the husband\u2019s \u201cman cave,\u201d no less) caught on video by a much-younger couple.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"699\" height=\"1024\" src=\"https:\/\/williamjcobb.com\/blog\/wp-content\/uploads\/2026\/04\/Screenshot-2026-04-25-at-3.02.07-PM-699x1024.jpeg\" alt=\"\" class=\"wp-image-3058\" style=\"aspect-ratio:0.6826177627075474;width:634px;height:auto\" srcset=\"https:\/\/williamjcobb.com\/blog\/wp-content\/uploads\/2026\/04\/Screenshot-2026-04-25-at-3.02.07-PM-699x1024.jpeg 699w, https:\/\/williamjcobb.com\/blog\/wp-content\/uploads\/2026\/04\/Screenshot-2026-04-25-at-3.02.07-PM-205x300.jpeg 205w, https:\/\/williamjcobb.com\/blog\/wp-content\/uploads\/2026\/04\/Screenshot-2026-04-25-at-3.02.07-PM-768x1125.jpeg 768w, https:\/\/williamjcobb.com\/blog\/wp-content\/uploads\/2026\/04\/Screenshot-2026-04-25-at-3.02.07-PM-1048x1536.jpeg 1048w, https:\/\/williamjcobb.com\/blog\/wp-content\/uploads\/2026\/04\/Screenshot-2026-04-25-at-3.02.07-PM.jpeg 1208w\" sizes=\"auto, (max-width: 699px) 100vw, 699px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Although <em>everything is not what it seems<\/em> is undoubtedly a movie clich\u00e9, it works to great effect in this season\u2019s storyline. The most captivating character is Ashley Miller, played by Cailee Spaeny, who possesses the sweetest smile and the darkest heart. At first she genuinely seems to care about her boyfriend and the abused wife she videos, but one surprise after another makes you rethink exactly how much Ashley cares about any people other than herself. (Spaeny reminds me of the great Sixties\/Seventies actress Sandy Dennis, in a good way.)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Second most captivating character must be the always terrific actor Oscar Isaac, who plays Josh Martin, the manager of a high-end California resort. He\u2019s ambitious, mercurial, and at times seriously deranged. Carey Mulligan plays his wife, Lindsay, who puts up with his shenanigans . . . until she doesn\u2019t. As usual, I\u2019ll refrain from giving it all away. Like Season One of\u00a0<em>Beef<\/em>\u00a0there\u2019s a Korean-American plotline that\u2019s important, but not the sole focus, as opposed to the first season. One thing I admire from series creator Lee Sung Jin: Things happen very quickly. It\u2019s not as frantic as the Oscar-darling\u00a0<em>Everything Everywhere All At Once<\/em>\u00a0(2022) but dramatic events unfold, spurt, bounceback, and recoil with a fast, deft touch. It features eight episodes, all of which have major plot twists and developments.\u00a0I was hooked and binge-watched it.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"718\" height=\"1024\" src=\"https:\/\/williamjcobb.com\/blog\/wp-content\/uploads\/2026\/04\/Screenshot-2026-04-25-at-3.41.54-PM-718x1024.jpeg\" alt=\"\" class=\"wp-image-3057\" style=\"aspect-ratio:0.7011806259606894;width:620px;height:auto\" srcset=\"https:\/\/williamjcobb.com\/blog\/wp-content\/uploads\/2026\/04\/Screenshot-2026-04-25-at-3.41.54-PM-718x1024.jpeg 718w, https:\/\/williamjcobb.com\/blog\/wp-content\/uploads\/2026\/04\/Screenshot-2026-04-25-at-3.41.54-PM-210x300.jpeg 210w, https:\/\/williamjcobb.com\/blog\/wp-content\/uploads\/2026\/04\/Screenshot-2026-04-25-at-3.41.54-PM-768x1096.jpeg 768w, https:\/\/williamjcobb.com\/blog\/wp-content\/uploads\/2026\/04\/Screenshot-2026-04-25-at-3.41.54-PM-1076x1536.jpeg 1076w, https:\/\/williamjcobb.com\/blog\/wp-content\/uploads\/2026\/04\/Screenshot-2026-04-25-at-3.41.54-PM.jpeg 1241w\" sizes=\"auto, (max-width: 718px) 100vw, 718px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Think of it as The White Lotus\u00a0meets Bong Joon Ho\u2019s\u00a0Parasite\u00a0(2019).  <a href=\"https:\/\/williamjcobb.com\/blog\/index.php\/2026\/04\/25\/beef-imagines-a-world-of-scheming-conniving-duplicitous-grifters\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":3058,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[425,398,1],"tags":[429,428,430,426,427],"class_list":["post-3055","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-korean-film-and-tv","category-netflix-series","category-uncategorized","tag-cailee-spaeny","tag-carey-mulligan","tag-charles-melton","tag-netflixs-beef-season-two","tag-oscar-isaac"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"Think of it as The White Lotus meets Bong Joon Ho\u2019s 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