{"id":306,"date":"2010-06-09T18:31:59","date_gmt":"2010-06-09T18:31:59","guid":{"rendered":"http:\/\/williamjcobb.wordpress.com\/?p=306"},"modified":"2010-06-09T18:31:59","modified_gmt":"2010-06-09T18:31:59","slug":"on-john-hillcoats-film-version-of-cormac-mccarthys-the-road","status":"publish","type":"post","link":"https:\/\/williamjcobb.com\/blog\/index.php\/2010\/06\/09\/on-john-hillcoats-film-version-of-cormac-mccarthys-the-road\/","title":{"rendered":"On John Hillcoat&#039;s Film Version of Cormac McCarthy&#039;s &quot;The Road&quot;"},"content":{"rendered":"<p>So it took me a while to get around to watching <em>The Road<\/em> (2009), partly because I knew it would be a grim experience. The novel is one of the few books that count as a masterpiece of the 21st century, hopefully not prophetic. The film has its moments: the cinematography is moody and artsy, and at times the devastated world is beautiful in a horrific way, even if McCarthy&#8217;s description is much better. Both Viggo Mortensen and the boy actor (Kodi Smit-McPhee) are convincing, especially the boy, in moments when&#8217;s meant to be terrified. And perhaps I&#8217;m too much of a purist, but the few times when Hillcoat swerves from the novel all seem clumsy. 1) The New Family: This comes at the end. I had to recheck the text to see if I&#8217;d remembered it wrong, because in the film the mother in the final moments says something like, &#8220;We&#8217;ve been following you all along.&#8221; It goes back to the moment early in the novel when the boy says he sees another child, which you can&#8217;t really tell if it&#8217;s real or imagined. In the novel it&#8217;s definitely real. Logistically, this doesn&#8217;t make much sense. Somehow they&#8217;re walking through this bleak landscape, with no other people but the marauding cannibals now and then, and they don&#8217;t notice the family of four behind them? 2) There&#8217;s an awful moment when father\/son stumble upon (it happens very quickly) a mother\/son being attacked and killed\/raped by the cannibals. This supplants the roasted-baby moment of the novel, which doesn&#8217;t appear in the film. But it seems clumsy and, again, logistically unlikely. It somehow violates the internal logic of the novel\/film. Plus it&#8217;s straight out of <em>The Road Warrior<\/em> (1981), which is itself clumsy. 3) The dungeon scene, where father\/son come upon the people being kept as food, is much longer and more detailed. It also doesn&#8217;t make much sense. In the novel you know the father looks inside the trapdoor for food, but in this version he goes through a series of rooms, with the boy, before they come upon the food-slave people, who then claw and scratch at them.<br \/>\nMy verdict? If I didn&#8217;t know the novel so well, I&#8217;d probably rank it as a pretty good horror film. But that&#8217;s not what the novel is, at all. Part of me likes this: Film may have become the dominant medium now, but novels can still trump films for certain effects, such as philosophical mayhem.<br \/>\nHere&#8217;s a url to a good review of the film. I don&#8217;t agree with all of it, but I like it nonetheless:<br \/>\nhttp:\/\/www.brightlightsfilm.com\/67\/67theroad.php<\/p>\n","protected":false},"excerpt":{"rendered":"<p>So it took me a while to get around to watching The Road (2009), partly because I knew it would be a grim experience. The novel is one of the few books that count as a masterpiece of the 21st &hellip; <a href=\"https:\/\/williamjcobb.com\/blog\/index.php\/2010\/06\/09\/on-john-hillcoats-film-version-of-cormac-mccarthys-the-road\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-306","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/posts\/306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/comments?post=306"}],"version-history":[{"count":0,"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/posts\/306\/revisions"}],"wp:attachment":[{"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/media?parent=306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/categories?post=306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/williamjcobb.com\/blog\/index.php\/wp-json\/wp\/v2\/tags?post=306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}