On Mark Hertsgaard’s “Hot: Living Through the Next Fifty Years on Earth,” and the Forest Fire in My Backyard (Almost)

So I’m continuing in my quest to read every book ever written about Global Warming. (Well, not all of them, but I have read quite a few.) I’m also starting to think only wimps use the term ‘Climate Change,’ which seems a Republican dodge, too: Let’s just pretend things are changing, maybe for the better!
In that quest, I’m now reading Mark Hertsgaard’s Hot: Living Through the Next Fifty Years on Earth (2011). On the political side of things, Hertsgaard does acknowledge that the U.S. is one of the few industrialized countries that are fighting the acknowledgement of global warming and the obvious conclusion that we had better do something about it, fast. Which of course we’re not. And he does mention the mainstream media’s idiocy on the subject, specifically their constant mention of it as being a ‘theory’ that may be wrong, when scientists have moved on from that nonsense in the early years of the last decade.
Consider the hot, dry summer we’re having, and always the statement gets thrust into the forecast, “It’s not global warming!” It just certainly seems like it, right? When places like Oklahoma and Wichita are breaking records and drought is scorching the South and Southwest, it’s always good to try to convince the populace that this isn’t something we should be concerned about.
Hertsgaard’s book is not one of the best, but there’s much to like about it. He frames the argument from the point of view of a father with a five-year-old daughter, and since my daughter, Lili, is about to turn five in October, naturally I’m sympathetic. Sometimes he harps on this a bit too much, though. (I’m sure I harp about my darling girl too much, as well.) But here’s a good quote, that matches the world I’m witnessing in the West:
“In the American West, the weather of the last twenty years sparked four times as many large fires as during the previous twenty years. Firefighters are worried: in 2006, their Association for Fire Ecology warned, ‘Under future drought and high heat scenarios, fires may become larger more quickly and be more difficult to manage.’ In 2009, a study by Harvard University scientists endorsed the firefighters’ concerns. The area burned by wildfires in the American West could increase by 50 percent by 2050, the study found: in the Pacific Northwest and the Rockies, the increase could be as much as 175 percent” (59).
This June my home turf in Colorado, Custer County, had the Duckett Fire, which has now dwindled (thank god), but quickly grew from 100 acres to nearly 5,000 before it was slowed, mainly by the onset of wetter weather and lower winds. My daughter and I watched it one day and she described this picture as a “fire sun.”

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An Interview With William Gay, a Great Southern Gothic Mystery

A friend of mine recently turned me on to this link (Thanks, Jess)—an interview with the great Southern Gothic writer William Gay that appears in the Oxford American:
http://www.oxfordamerican.org/articles/2011/jun/15/solost-home-william-gay/
I’ve been a fan of Gay’s for years, and some of his stories, like “The Paperhanger,” are out-and-out classics. He even had the title story of his collection I Hate To See That Evening Sun Go Down (2002) made into a film—which I’ve yet to watch, for no good reason. (Although I did recently watch Primal, a rather ridiculous, so-bad-it’s-good Australian horror film.) My editor, Greg Michalson, was also his editor. But the real mystery about Gay is his soon-to-be/never-to-be released novel, The Lost Country, which has been scheduled for years now.
My favorite Wm Gay novel is Provinces of Night (2000), which was also made into a film in 2010 titled Bloodworth, starring no less than Kris Kristofferson and Val Kilmer. Both of them I’ll have to watch soon.

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Curb Your Enthusiasm Is Back, and I Can't

So I’m sure if I were some kind of know-everything, Entertainment-Tonight wonk I would have already known this, but Curb Your Enthusiasm is back this Sunday! It’s hits and misses, but when it hits, it hits. The whole season with the Black family was great. This one has a reprise of the Annoying Laugh woman from Seinfeld. Here’s the NY Times link that gives a preview:

It’s not TV, it’s HBO.
There should be some other catchphrase: It’s HBO: A lineup of awful movies padding the schedule for a few good series.
But I guess that’s rather long and cumbersome.

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On James Hansen's "Storms of My Grandchildren" & The Folly of Creepers

So I just saw that the temperature reached 118 degrees in Phoenix yesterday (How can they stand it?) and is forecast to be at record levels all across the country, including where I am, in the Southwest, which by some measurements has already warmed by 1.5 degrees Fahrenheit in the last century. James Hansen is a famous climate change scientist and NASA chief, and his book Storms of My Grandchildren (2009) is about the crucial misinformation going on in politics, and especially the Bush administration, when scientists were regularly being censored by political hacks who didn’t like the truth about global warming and climate change. And although I’m an Obama supporter, I also agree with Hansen that Obama isn’t doing enough to steer us away from this catastrophe on our doorsteps. It’s good book, if a bit chatty and clumsy at times.
And it’s the kind of book members of Congress should be reading. But they’re not. Instead it seems even the Democrats, like Weiner, are wasting their time emailing photos of themselves to sweet young things. College students have recently taught me a new term: Creepers. It’s a term for people (pervs, most likely) who troll Facebook/Twitter etc. for girls and virtual sex. (Or for boys.) What strikes me about our politicians is that they seem to spend their time fundraising or ego-stroking when they need to be reading. But maybe I’m just old fashioned, and believe politicians should be reasonable, curious, intelligent human beings. What an idea.

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Review of Stefan Merrill Block's "The Storm at the Door"

My review of Stefan Merrill Block’s novel The Storm at the Door appeared in the Dallas Morning News last Sunday, and can be found at this url:
http://www.dallasnews.com/entertainment/books/20110624-book-review-the-storm-at-the-door-by-stefan-merrill-block.ece
It’s an earnest novel about his grandparents’ lives, and at times I felt it suffered from his belief that his grandfather’s story (who was in a psychiatric facility in 1962, for exposing himself while drunk—in 2011 the clinic might have just been a rehab facility) was more important than it is, at least to me. There’s an evil psychiatrist who seemed like the wicked Dr. Chilton in The Silence of the Lambs, the second reference to that film/novel I’ve noticed this month.
Here’s the text version:
THE STORM AT THE DOOR/By Stefan Merrill Block
Random House; 368 pages, $25
The Madness in Families
Raised in Plano, author Stefan Merrill Block’s, “The Story of Forgetting,” was a critically acclaimed debut novel about the anguish of Alzheimer’s. His second novel, “The Storm at the Door,” is another in the recent trend of “fictional memoirs,” fiction based on actual events, in the vein of Jeanette Walls’ “Half-Broke Horses,” though much grimmer and inward-focused. It concerns the tortuous life story of Block’s grandparents—his grandfather, Frederick Merrill, emotionally disturbed and alcoholic, and his grandmother, Katharine, the long-suffering woman who eventually had enough.
Most of the story unfolds at the “fictional” Mayflower clinic, a psychiatric care facility near Boston, patterned after the famous McLean Hospital, in which Block’s grandfather was a patient in 1962. This mixing of fact/fiction is hit and miss. Frederick’s life is tragic in a familiar way: he drinks too much, seduces women while living as a (badly) married man, and indulges in various sins that family members might forgive and others simply dismiss as boorish behavior. He’s admitted into psychiatric care for indecent exposure, which he tries to portray as a “joke,” an alibi that many no doubt wish would get them off the hook.
At the Mayflower clinic, a villain emerges in the guise of Albert Canon, chief psychiatrist, who more closely resembles the despicable, self-centered Dr. Frederick Chilton in “The Silence of the Lambs” (1991). Canon’s sins are also familiar—punishing patients with electroshock therapy or solitary confinement, taking away their writing materials, picking on their emotional weaknesses. Guilty of his own bad behavior in an affair with one of assistants, Rita, Canon has no redeemable qualities, and at times seems a caricature of a quack academic psychiatrist. One scene in particular recalls Nurse Ratched in Ken Kesey’s classic “One Flew Over the Cuckoo’s Nest,” which is an awkward comparison, in that “Cuckoo’s Nest” is a much more daring novel, with literary inventiveness, anguish, humor, and ultimately hope, while Block’s novel is somber and claustrophobic.
The other patients at Mayflower are a mixture of the famous and the bizarre: as is pointed out several times, Mayflower is a reputable institution, counting the poet Robert Lowell and the mathematician John Nash as patients, but in this novel, the most important characters besides Frederick and Canon are Marion Foulds, a multiple-personality disorder sufferer, and Professor Schultz, a broken academic, who both commit suicide.
The life story of Katharine Merrill, Frederick’s wife, is a sad shadow to his own. She suffers his bad behavior for years, accepts him home from the clinic and attempts to carry on, ultimately to end her life in a manner oddly similar to her broken husband. The climactic moment in her life—through the eyes of her young grandson, at least—occurs when she burns the writings her husband composed while at Mayflower. It’s an act born of bitterness, resignation, and a desire to be loose from the past. Ultimately “The Storm at the Door” is itself a reckoning with the past, an attempt to make sense of familial mysteries—lyrical, touching and heartfelt.

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Yellowstone Snow, Hungry Wolves, & the Tumble Inn

So I’ve been traveling in Wyoming for 11 days, kayaking & hiking, not to mention buying stuffed animals for my daughter—dinosaur (diplodocus), river otter, deer, yellow horse, dinosaur (pterodactyl), and something I’m forgetting I’m sure. We camped in the Grand Tetons and soaked at Thermopolis Hot Springs, where families around the pool exchanged wildlife stories of visiting Yellowstone. One family told how they saw a wolf eat a baby elk, which of course freaked the kids out (they nodded solemnly as the story was told). We saw a grizzly, several golden eagles, elk, mule deer, buffalo, and the biggest porcupine in the west. Yellowstone had an astonishing amount of snow—three feet deep as far as the eye could see on the high plateau when you first drive into the park on the southern end, passing Lewis Lake and West Thumb. Here’s a nostalgic neon sign we passed, in the Abandoned America category:

Now I’m glad to be home in Colorado, where it’s cool and rainy today.

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The Silence of the Swedish Lambs: “The Girl With the Dragon Tattoo,” or Our Misbegottten Love of Serial Killers (Stories)

So a year ago I picked up the Stieg Larsson’s The Girl With the Dragon Tattoo novel in paperback just to see what all the fuss was about, and I couldn’t really get into it and become a fan, mainly because the style/story seemed pretty ordinary killer/suspense stuff, rather flatly written. (I know, I know: Everyone else loves it. Good for them.) But I’ve just watched the Swedish film version, and it’s one of those rare cases where the film works in ways the novel didn’t for me: For one thing, it portrays a gorgeous vision of the world, all snow and glossy urban scenes and forests, moody, well-dressed people, much mystery about everything. But I was struck at its similarities to The Silence of the Lambs (1991), all these years later. Lisbeth is the haunted, victimized Agent Starling, a great character to watch. The framed flowers are a natural-world metaphor that compares to the exotic moths in Silence. The serial killer confession (I won’t name names, for those who still haven’t seen it) out-creeps Hannibal Lecter’s articulate musings. But the film is hypnotic with images, painterly and beautiful, even when it’s showing horror.
As I’ve taught Gothic Lit for years, I’ve often been struck at how much the reading public loves serial killer stories. Why? We don’t want to be the victim, but we like to imagine others as the victim, as the killer. To revel in the dark side? For catharsis? A fascination with the gruesome? All of the above? Probably so. And many more oddities of human nature. Acting out murder fantasies via fiction. It’s probably healthier than tweeting pictures of your organs to anonymous strangers, esp if you’re a politician.  

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Dream Hooey: Inception Island, or a Contrarian’s View of “Inception” and “Shutter Island”

So none other than knockout writer Susan Orlean (whose book on Rin Tin Tin is coming out soon, I believe) turned me on to the world of streaming video last fall, telling me that she finds that much better than any satellite/cable TV in her home in upstate New York. Laggard that I am, I’ve just recently picked up my Apple TV. It’s so small and minimal it’s freaky—a little black box about the size of a deck of cards, a remote with essentially three buttons on it. But connected to Netflix streaming video, it’s kind of amazing. Gone are the days of same-old movies on DirecTV! Gone are the day so seeing He’s Just Not That Into You and Lady Gaga’s latest fashion show/concert listed in maddening, multiple timeslots! Variety is here!
So two of the movies I watched (which are not on DirecTV yet) both featured Leo DiCaprio, and I chose these two to catch up on what my students were talking about, generally expressing how much they loved them: Inception and Shutter Island. Inception is great eye candy, but it didn’t add up to much, and I lost interest in all the dream hooey as it went on and on. Shutter Island, on the other hand, had a healthy dose of dream hooey, or alternate reality, and I thought it really paid off. The final line DiCaprio says rings out as a real kicker, like the final line Charlize Theron utters in Monster.

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Arizona Is Burning, and We're Breathing It

Smoke from the Bear Wallow Fire in Arizona—several hundred miles away but over 233,000 acres in size—is so thick here we can’t see the valley floor from our hillside home, just a mile or so away. We’re all coughing and throats are scratchy. I’m reading James Hansen’s Storms of My Grandchildren, about global warming, and it seems that it’s here. Meanwhile every Republican who ever said anything in support of mitigating climate change is having to backtrack and now deny it, just to court the Conservative-Stupid Vote, the Know Nothing Party rises again. Here’s the NY Times report about the Arizona fire this morning:

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The Summer of the Bears, Hungry & Marauding

So in my corner of Colorado there was a bit of snow drought (March was dry), which caused the bears to come out of hibernation early, before there was food for them. Now there are roving gangs of hungry bears marauding across the countryside. We’ve seen two in our yard, one a big glossy black bruin who ripped open a hole in our woodshed door to get at the garbage cans stored inside, and another roan-colored youngster who gallops across our yard regularly. We love our bears but we love our cat more, and were briefly in a panic as we thought one of them had eaten Iris, but thankfully she showed up after being missing for a day. Here’s the damage to the woodshed, which I’ll have to repair later this week. The hole doesn’t look that big, but the bear did, maybe 250 lbs or so:

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